Catching a Warlock

I’ll admit, I side-eyed the 2-hour runtime at first—how much magic and mayhem can you pack into that? Turns out, *a lot*. *Catching a Warlock* is the audiobook equivalent of a double espresso: short, potent, and leaving you slightly jittery in the best way. Greenwood’s strength here is her economy; every scene serves the central conflict, whether it’s Daphne’s increasingly erratic shifts (the scene where she *almost* turns mid-lecture is a standout) or her enemy’s delightfully petty sabotage. The romance simmers in the background, but the real heat comes from the cat-and-mouse game with her rival—a dynamic Richardson sells with relish, especially in the snarkier exchanges. That said, the brevity *does* come at a cost. The worldbuilding is skeletal—we get glimpses of the magical system, but it’s more *implied* than explained, which might frustrate listeners who crave depth. And while Richardson’s performance is mostly stellar, her male voices occasionally dip into caricature (one warlock sounds suspiciously like a Disney villain’s henchman). Still, the trade-off is worth it for the sheer *fun* of the ride. The production is flawless, with no awkward pauses or volume spikes, and the pacing never drags. If you’re in the mood for a paranormal rom-com that’s light on angst and heavy on mischief, this is your purr-fect match. (Yes, I went there. No, I’m not sorry.)