Click

I’ll admit, I rolled my eyes at first: *Another* ‘brilliant woman hunted by a killer’ plot? But *Click* disarmed me within an hour. Fitzek’s twist is that Hannah Herbst isn’t just running from a murderer—she’s being *studied* by one, her every involuntary grimace or pupil dilation weaponized against her. The audiobook’s pacing is relentless, but not in the usual car-chase way. Instead, it’s a psychological chess match where the moves are things like ‘Does she swallow too quickly when she lies?’ or ‘Why did her smile just flicker?’ Lauren Fortgang’s performance is *so* good it’s almost distracting. She nails Hannah’s academic precision in early chapters, then slowly unravels her into someone who second-guesses her own breath. My one critique? The mid-book reveal about the killer’s identity feels slightly rushed—Fitzek’s so focused on the *how* of the crime that the *who* lands with less impact. And while the ending ties up neatly, I wished for one more scene to sit with the moral cost of Hannah’s survival. Still, this is a thriller that lingers. The production quality is impeccable—no jarring edits, no volume spikes—just Fortgang’s voice and the creeping realization that your own face might be your biggest vulnerability. If you love audiobooks that turn mundane details (a text message, a sideways glance) into landmines, *Click* delivers. Just don’t listen to it on public transit. You’ll start analyzing every stranger’s microexpressions.