The Naughty, the Nice and the Nanny

I went into this expecting a light, forgettable fluff-fest, but Nash’s wit and the duo’s chemistry had me hooked within the first chapter. Edwin’s performance is the star here—her ability to sell the protagonist’s escalating frustration, from eye-rolls to full-blown tirades, is nothing short of masterful. Shedlock’s portrayal of the single dad is a close second, his gruff exterior giving way to a surprisingly tender vulnerability that never veers into caricature. The story’s strength lies in its refusal to take itself too seriously; the conflicts and resolutions land because the humor keeps the stakes feeling low and the stakes keep the humor from feeling silly. My only real critique? The side characters occasionally feel like they’re operating on autopilot, their quirks too neatly slotted into the rom-com playbook. And while the pacing is tight, the final act’s resolution wraps up a touch too neatly—though, to be fair, that’s par for the course in this genre. Ultimately, this is a rom-com that earns its laughs and smirks, making it a standout listen for fans of snarky, fast-paced contemporary romance.