That Self-Same Metal

Patricia Allison’s performance is the reason this audiobook soars. She doesn’t just read Joan Sands’ lines—she embodies them, with a rasp that sharpens when Joan’s in battle mode and a warmth that makes her quieter moments feel like a punch to the gut. The way Allison distinguishes between characters—especially the Fae, whose voices drip with condescension—is masterful. That said, the middle third drags a bit as the plot meanders through London’s side streets, and I found myself wishing for a tighter focus on the Fae’s political machinations. Still, Williams’ world-building is top-tier, and the ending’s emotional gut-punch is worth the slower build. The sound design is subtle but effective, with ambient noises that never overpower the narration. If you’re a fan of immersive, voice-driven fantasy, this one’s a keeper—just come prepared for sword fights and Shakespearean curses.