All These Worlds

I’ll admit, I approached *All These Worlds* with trepidation. Series finales often stumble under the weight of their own hype, but Taylor sticks the landing—mostly. The plot juggles multiple timelines, AI factions, and a looming galactic war, yet never feels bloated. The real triumph? Bob’s voice. After three books, his evolution from snarky tech bro to something approaching wisdom feels *earned*, and Taylor nails the balance between humor and gravitas. When Bob quips about ‘humaning’ poorly or delivers a monologue on the ethics of genocide, Porter’s delivery makes it *sing*. His ability to switch between Bob’s internal snark and the cold logic of the ‘Others’ is masterclass-level stuff. That said, the pacing isn’t perfect. The middle act drags slightly as Taylor sets up the dominoes for the finale, and a few side characters (looking at you, Bill) get short shrift in the emotional payoff department. The ending, while satisfying, leans *slightly* too hard on deus ex machina for my taste—though I’ll forgive it because the journey there is so damn entertaining. The audio production is flawless: Porter’s timing is impeccable, the sound mixing crisp, and the rare use of effects (like the Deltans’ distorted voices) enhances immersion without gimmickry. If you’ve loved the series so far, this is a must-listen. If you’re new? Start with *We Are Legion (We Are Bob)*—but clear your schedule. You’ll binge the lot.